INDIESTREET

Man oh man, how the months have flown by! It’s finally that day again - the final submissions deadline for the 2017 Indie Street Film Festival! Hundreds of film have been submitted - short, long, funny, sad, weird, honest, raw and everything indie-tween (see what we did there?)! If you’ve got a film, we want to see it! But act fast - you’ve only got a few hours left to be guaranteed those filmic darlings of yours will be considered! So, what are we looking for? Everything! Our goal is simply to program the very best films we can find. Remember: diversity is important as well as good storytelling. We are giving special consideration to New Jersey Filmmakers as we will have a special side-bar for Jersey films, too. We are also specifically looking for films that do the most with smaller budgets and are innovative either visually, conceptually or in their storytelling. Fit the bill? You can submit via Withoutabox and FilmFreeway NOW! For more information on the Indie Street Film Festival, head to our website or check out our recap video showcasing highlights from last year’s insanely successful fest! 

What a time to be alive if you’re a film lover! This year has seen a wave of innovative new works hitting the screens of festivals around the globe…and New Jersey's own Red Bank better get ready because it’s that time of the year again - their time to cinematically SHINE! The 2nd annual Indie Street Film Festival line-up has JUST BEEN ANNOUNCED and it features some of the best of the best in indie cinema from around the world. The Indie Street Film Festival will return to Red Bank from July 26th through the 30th featuring more than 60 independently produced narrative, documentary and animated films, panel discussions, Q&A’s with filmmakers, live art, an interactive community mural project, a community cookout, and both live and DJ music performances. Two sets of “Jersey Shorts” showcasing the work of local filmmakers and New Jersey locations and subjects will also be featured.     Narrative feature films in competition include: The Ring Thing, directed by William Sullivan (Provincetown Film Festival) Like Me, directed by Robert Mockler (SXSW) Beat Beat Heart, directed by Luise Brinkmann (Slam Dance, Filmfest Munich 2016) Life Hack, directed by Sloan Copeland (Brooklyn Film Fest, SoHo Int. Film Fest)  Documentary feature films in competition include: Barbecue, directed by Matthew Salleh (SXSW) Hotel Coolgardie, directed by Pete Gleeson (Slamdance, Hot Docs) Olancho, directed by Ted Griswold and Chris Valdes (Brooklyn Film Fest) Unrest, directed by Jennifer Brea (SXSW, Hot Docs, Sundance Special Jury Award)  The winning films will be selected by a jury consisting of noted film critics, producers and filmmakers. Industry experts including Aaron Hillis (Indiegogo), Alison Willmore (Buzzfeed), Dominic Davis (Rooftop Films), Heidi Reinberg (Producer) and Leah Sapin (Human Rights Watch) will join others in awarding the winning feature films with the prize of a 1 week theatrical screening in New York City and optional online distribution through Indie Street Media. Jury awards and audience awards will be announced at a live ceremony on the evening of Sunday, July 30th. Highlights include the NJ premiere of Unrest, an eye-opening documentary shot and directed by Jennifer Brea, as she tackles the very personal subject of chronic fatigue syndrome. Life Hack, featuring Sean Kleier (Odd Mom Out) and Devin Ratray (Nebraska, Blue Ruin), is an incredibly relevant comedic cautionary tale about our digital privacy or complete lack thereof. New Jersey talent will of course be showcased, including the world premiere of Brothers, the latest work from Jack Ballo, who directed the critically acclaimed 2016 documentary Destiny’s Bridge, about the plight of a homeless community living off-the-grid in the woods of Lakewood, New Jersey, and Pasquale’s Magic Veal, a dark comedy featuring Vincent Pastore, who played “Big Pussy” in The Sopranos. Donald Sumpter (Game of Thrones, Girl With The Dragon Tattoo) and Adam Long (Happy Valley), star in The Knackerman, a narrative short funded by Creative England and the BFI Network. In Cul-De-Sac, from the team behind the Academy Award-winning short Curfew, a married couple's bubble of suburban normality is punctured when they find a surprise inside their toddler's teddy bear. Cop Dog, the sixth animated film in Bill Plympton's Oscar-nominated Guard Dog series, finds its plucky dog-hero with a new occupation: patrolling our airports sniffing for illegal drugs. Several other shorts will make their NJ premiere, including films written by screenwriters for NBC's THIS IS US and SYFY's CHANNEL ZERO, as well as performances from actors such as Jimmie JJ Jeter (Hamilton) and Chris Carfizzi (Showtime's Billions). Indie Street Film Festival Artistic Director/President of Indie Street, Jay Webb, noted that in addition to the incredibly diverse films from around the world that will be screened and discussed, this year’s schedule includes events linked to films showcased in the festival as well as New Jersey themes.  “From a live art performance by local artist Ronnie Jackson, who carves New Jersey landscapes and scenes into surfboards, a cookout after the screening of the documentary Barbecue with local sponsors, to a Liquid Lights creative workshop, we know festival attendees will enjoy what ISFF brings to the community,” Webb added. “What sets this festival apart from other film events is the integration and cooperation of Red Bank’s venues, restaurants and bars, retail shops and the local arts community which all gel to make the ideal atmosphere to celebrate the creativity of independent filmmakers.”  ISFF is more geared toward cooperation than competition, so all feature films accepted into the festival are awarded the opportunity to join Indie Street as a partner filmmaker and be promoted through its VOD platform. Winners from each feature film category will enjoy a shared 1 week theatrical release in NYC. Films and events will be held at multiple theatrical venues in Red Bank, including the historic Count Basie Theatre, the Two River Theater, Bow Tie Cinema and Red Bank Middle School. For a complete schedule and to purchase tickets, please visit www.indiestreetfilmfestival.org. 5 day Passes are available for films only (Film Buff Pass for $99) or for all films and parties (All-access Pass for $169) and can be purchased by visiting the festival website. All-access passes are also on sale now that include entry to all festival events, open bar at nightly parties brought to you by sponsors Flying Fish Brewery and Prairie Vodka, as well as discounts at local businesses. Single event tickets will be available soon. Keep up with breaking news on social media: facebook.com/IndieStreetFilmFestival · twitter: · Instagram For more information on the Indie Street Film Festival or to learn how you can help out, contact info@indiestreetfilmfestival.org or head to indiestreetfilmfestival.org to check out THE STELLAR FULL LINEUP!! Be sure to check out highlights from last year’s successful inaugural year: 

Some stories are so incredible, so powerful that they must be committed to some form of storytelling. Pen and paper, celluloid film, still image, music, dance, paint, hell even puppetry will do. A medium to bring words to life, birth little legends, and make sure stories are spread and shared with the world.  Now, imagine, you not only have an amazing story to tell, but you have a story to tell that you share intimately with your brother. A story that binds you. A story that must be heard. A story that literally gave life. This is what brothers Jared and Cameron Wohl share and it’s an inspirational gift to us all that they committed their story to film.  So, what’s the story behind their documentary "65 Percent"? At age 13, the younger of the two brothers, Cameron, was diagnosed with a rare autoimmune disease affecting his liver. Ten years later, when things took a turn for the worse, doctors declared that he would need a liver translate in order to live. Unfortunately, with the high demand for organs and a long waiting list, doctors had to pose another idea. What about a living-donor transplant? Fate would have it that his older brother, Jared, would be a match and would willingly give up over half of his own liver in order to save his brother’s life. In 2014, the transplant surgery was a success and last year, this insanely touching story of sacrifice, family, and survival was told in a documentary depicting the entire family’s journey through the process. Hence: "65 Percent". The brothers’ initiative The Wave Set is a non-profit organization that not only successfully crowdfunded to raise money for the production of "65 Perfect" but also now functions as a means to inspire second chances at life through educating and spreading awareness of the vital importance of organ donation. Their slogan, “We are Vital to Each Other”, couldn’t hold more truth to it. As humans, we need each other. We are bound by one major common thing: existence. And as a cinema lover, I’m beyond proud to see that the medium of film was chosen to visually give us that vital reminder.  Getting to attend the screening of "65 Percent" during the inaugural Indie Street Film Festival last July was something truly special to witness. Both their family and the local NJ community filled the theater with such an abundance of support and it was an honor to meet the Wohl brothers and see their success in action. If you didn’t get a chance to catch the film during its festival run, well, it’s your lucky day. Today, on April 26th, their story is shared with the world for FREE on Youtube. Amazingly enough, both brothers were born on this day - THREE years apart. Another unbelievable cherry on top of a well deserved celebration of life. So, here’s to Jared and Cameron - to a wonderful year of accomplishments and to many, many more to come. Do your part, watch the film (it’s only a short 50 minutes long and remember: FREE) and then head over to The Wave Set’s official site to donate or register as a donor. Spread the word, share the love! 

Got some free time, love the arts and looking for something to do in the city this weekend? Lucky you because the 2017 Tribeca Film Festival kicked off this week in high gear. From films, talks, games, music, TV, VR, new technologies and more, there’s pretty much something for everyone going down this weekend. Head over to the official website to check out the full schedule. Remember, grab tickets fast while you still can - many are already sold out or rush only. Good news is you have until April 30th to enjoy all of the innovative events Tribeca Film Festival is introducing!

Good news for nerds! Kill Screen has partnered up with this year's Tribeca Film Festival to bring NYC the new Tribeca Games Festival. Kicking off Friday April 28th, the opening night party will feature an arcade of games from indie to mainstream and a concert featuring Mura Masa. Two exciting days of programming and video games will follow. Remember, it's not all about the films this year! This is an event not to be missed if you're a game lover. Geeks unite! Read more about the event, which kicks off in two weeks, over on Kill Screen.

From simply being visually super stylized to actually defining the upcoming feeling/mood in a film, good opening titles sometimes have fanbases all their own. Interested in learning more about how the concept and usage of title slides have evolved over the past 100 years? Sure you are! And Danielle Del Plato has done all the work for you in her supercut “Evolution of Title Slides in American Cinema”! Check out the history ride below! 

Imagine: the perfect moment. Right there in front of you. To capture on film and present to the world… but there’s a catch. Embracing this moment, while worthy of recording and preserving in some capacity, is 100% unethical, pretty much illegal, immorally compromising and just downright wrong. And yet, it’s beautiful, raw in its vulnerability and it’s right there. You’ve got the camera. What do you do? Chance the filmic high or put that visual story-lust aside and possibly save a life?  This is the crux of Ed Christmas’ debut feature “The Man with Four Legs”. A genre-twisting experiment in drama, comedy and documentary, this British indie is 100% fictional but just as much believable in its portrayal of human flaws. Imperfections can be ugly but they can also be magnetic. In “The Man with Four Legs” we are faced with two very different types of flawed yet impressive people. Christmas introduces us to this semi-exaggerated reality through the lens of a group of young, irrational filmmakers hell-bent on documenting an out-of-this-world subject that fell into their laps. What's that? Oh, just the mysterious James Davis (played by prism of an actor, Simon Dobson), a fanatic fantasist and amnesiac that believes his past was totally different from what it actually was. Or was it? The more he pieces together bits of his memories, the eager doc team, led by ruthless, keen-eye’d Angus (Richard Southgate) (with Tom [Daniel Ormorod] and Ethan [Terry Sweeney] somewhat hesitantly by his side), starts to discover this is one very real film project full of twists and turns they never expected it to make. Angus’ perfect moment, the total breakdown and disillusionment of a mind, is handed to him on a shaky silver platter. So, what’s an aspiring filmmaker to do? You’ll just have to enter into this uncomfortable world of missing morals and memories to find out. Trust us, the twist at the end will leave you reeling.  There’s truly something about the dark, twisted beauty of “The Man with Four Legs” that makes this film a real treat for indie film lovers looking for a story totally different and out of left field. The multi-layered bits of faux-documentary, drama, and dark comedy make you question everything, just like the characters in the film. The mirror effect is unnerving, but isn’t that the magic of a good film? You can catch the bloody brilliant British indie gem now across several VOD platforms, including within Indie Street’s own library! Be warned: this a surreal tale that attempts to explore that fine line between reality and fantasy in the most surprising, disturbing of ways. Make it through, you’ll be awarded with a mind-blowing indie experience.  

  Ready to give it a go, then? Watch "The Man With Four Legs" now on Indie Street! 

If you can’t make it to SXSW 2017, what better way to numb away the sadness and pain by spending a few hours this week checking out Vimeo’s Streaming SXSW Channel? Watch films and music videos as if you were right there in Austin with all the other cool cats. And all from the comfort of your own home! Though the majority of selections available on the channel are narrative shorts and music videos, there are also feature length options to check out. Itching for some SXSW in your life? Head on over to Streaming @ SXSW 2017 and get watching NOW!

A few days ago, the 2017 Tribeca Film Festival announced their exciting competiton feature film line up, which you can learn more about here. And now, finally, we have been gifted with an incredible full slate of short films to look forward to next month! 57 films. 10 sections. 1 out of this world festival experience. You can check out the full list of shorts over on Variety! And don't forget: the 16th edition of the film festival runs April 19-30. 

The 2017 Tribeca Film Festival line up announcements are starting to roll in and we are already super psyched for what's on the table so far! The US Narrative, Documentary, and International Narrative competition categories have been announced, as well as Spotlight, Viewpoints, and the popular Midnight section. The 16th annual Tribeca Film Festival takes place April 19th - 30th. You can check out the latest revealed chunk of their program here - and make sure to stay tuned for more!

A scorching sun. A Western route. A man in a car, destination unknown. A woman, seemingly aimless, offering purpose and direction and yet nothing at all. She is our modern day Madonna - and I don’t mean the musician. I’m speaking biblically. Celia Rowlson-Hall’s debut feature “MA” is a dreamlike journey, probably unlike anything else offered on film in recent years. Be warned, though watching is a challenge, patience will reward you with imagery, dancing, and genius that are far from the expected. With “MA”, you’ll find just what you need below the surreal simmering surface of creation. Rowlson-Hall’s unconventional offering attempts to follow the story of a modern day Virgin Mary, making her pilgrimage across the Western landscape - the desert. End goal? Both Las Vegas and birth. The Creation of our Christ Figure. Sound strange? Well, only silent choreography and movement lead the journey. Looking for words? Literally, try the Bible. But if you’re looking for something different, almost transcendental, that doesn’t utilize the moving image medium the way we’ve all narratively become accustomed to, then “MA” might be right up your alley. Our “Mary”, donning an XL T-shirt and cowboy boots, traverses across the baron land, the heat almost permeating off the screen. She encounters a troupe of bizarre characters along the way - some oppressive, some impressive. Her companion for much of the journey is Daniel, your gentle, average man (played by Andrew Pastides) - a sort of “Joseph” if you will. After the two are separated later in the film, she becomes both characters, masculine, preserving the tendency of this film to steer a bit off course from how we usually perceive Mary’s story. Every movement, costume, setting, and character becomes important to note, jumbled up and left to beautifully come together in one of the most bizarre cinematic puzzles I’ve ever witnessed. Celia Rowlson-Hall created a dance-based ode to spiritual concepts that translates if you know how to tune to this very particular frequency of storytelling. Try to join Rowlson-Hall’s pilgrimage blindly and silently - let feeling guide your way and emotion help you through this film. Give into the surreal nature with an active mind and patient eyes. Trust us, it’s not an easy thing to digest. But if you’re looking for a festival fare challenge, beautifully shot and uniquely staged, get acquainted with “MA”, well, ASAP! A true visionary work of art and inspiring voice, further cementing Celia Rowlson-Hall on our one-to-watch list. 

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